Cartografía del rito en el espacio público de Sevilla: traslados y otras coreografías

The rite, being a phenomenon consubstantial to the urban fact and in spite of its profuse pictorial representation, is an inexplicably field little explored through the architectural graphical representation. Its volatile, ephemeral, dynamic and anthropologically unpredictable character makes it difficult to find a graphic method that combines the precision of cartographic systems with their transitory component. The disciplinary transversality of the rite needs to delve into its sociological and anthropological aspects, endorsing the investigative opportunity to reveal the relationships between spatial occupation, urban-architectural formalization and collective behavior. Historically, the city of Seville has put into practice mechanisms of choral representation through a large number of rituals that transform its topography, the profiles of its section and the perimeter of its public space. John Cage, Igor Stravinsky or Aldo Rossi found in their aura, in the Benjaminian sense of the term, an artistic syncretism that would change their perspectives from which to look at the world.